Pride & Prejudice

Jane Austen’s Pride & Prejudice
Adapted for the stage by Melissa Leilani Larson

The Grand Theatre | May 16 – June 8, 2024

Full of distinct characters, sparkling wit and timeless romance that has never gone out of print, Jane Austen’s classic comes alive on stage in this crisp adaptation. Almost from their first meeting, Elizabeth Bennet finds herself at odds with the reticent Mr. Darcy. She finds him cold and arrogant while he disapproves of her family and social standing. Despite his pride and her prejudice—or is it her pride and his prejudice?—Elizabeth and Darcy can’t seem to avoid each other’s company. Brought together by a series of events beyond their control, both must reconsider their first impressions. Melissa Leilani Larson’s Pride & Prejudice is a delight for Austen fans and newcomers alike.

MRS. BENNET | Liz Whittaker
MR. BENNET | Adam Argyle
JANE BENNET | Lauren Pope
ELIZABETH BENNET | Niki Rahimi
MARY BENNET | Ellie Otis
KITTY BENNET | Zoe Fossen
LYDIA BENNET | Ryeleigh McCready
CHARLOTTE LUCAS | Taylor Wallace
CHARLES BINGLEY | Alex Smith
CAROLINE BINGLEY | Laurel Morgan
FITZWILLIAM DARCY | Gordon Dunn
WILLIAM COLLINS | Darrin Burnett
GEORGE WICKHAM | Michael Johnson
LADY CATHERINE DE BOURGH | Viviane Turman
COLONEL FITZWILLIAM/ENSEMBLE | Ryan Dougherty
M SWING/ENSEMBLE | Luke Jensen
ANNE/GEORGIANA/F SWING/ENSEMBLE | McKenna Soderberg

STAGE MANAGER | Caroline Cain
CHOREOGRAPHER | Jessica Pace
SCENIC DESIGN | Keven Myhre
PROPERTIES DESIGN | Máire Nelligan
LIGHTING DESIGN | Paul Yeates
SOUND DESIGN | Joe Killian
COSTUME DESIGN | Shannon Mccullock
WIG & MAKE UP DESIGN | Erin Mccullock
DIALECT COACH | Stacey Jensen
TECHNICAL DIRECTOR | Adam Day
ASSISTANT DIRECTOR | Elaia Echeverria

I’ve known Melissa Leilani Larson for quite some time now and have had the privilege of collaborating with her on several world premieres of her outstanding original works. Her original characters are multifaceted gems that shine through their language, yet they remain relatable and awkwardly human. When adapting Jane Austen, she applies this approach to iconic characters whom we’ve encountered in prose or on screen. These characters are fresh and relatable, while still faithful to Austen’s groundbreaking novels.

When I saw a production of her adaptation of Pride & Prejudice just over a year ago, I sensed that it would resonate with our Grand audiences. The adaptation is swift, humorous, and romantic, appealing not only to existing fans of the novel and its film versions but also to those encountering the story for the first time. I’m admittedly no Austenite, but this rendition of the story has captivated me like no other and made me see Austen in a whole new light. Whether you’re already familiar with and fond of Pride & Prejudice or not, I hope you’ll relish this tale of people finding their perfect match.

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